Nain Christopherson
Nain Christopherson (she/her) lives, writes, and teaches high school language arts and creative writing in Salt Lake City. Her poems have been featured or are forthcoming in The Shore, Scribendi, and The Exponent II.
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Irises
I already said I love
my job—but ninth graders
will really look at you, just plain
leaving the building, like you should’ve vaporized
passing through the weapons detector, and again
crossing the threshold of those double doors. They’ll look
at you shopping for groceries with your headphones in
like you’re a subspecies they’ve never seen before—
and you looked them in both eyes
this morning; said their name, and asked them
how they were. Look at you
weaving through crowds or heating your leftovers
for lunch in the classroom microwave like you’ve sprung
into 3D for the first time. Imagine
if they knew I have always existed.
Some days I want to make them
look: how eternity roils
under the horizons of skin grown up against
my fingernails—along the seams
in my eyelids, behind my ears.
Some days I could scream: I am
abundant! I’ve spilled
emerald and indigo out
of the deepest vases! I’ve been an armful
of the longest leaves! Sometimes
I whisper hit me just before I break
into sunlight from beneath
the undersides of trees, which drip,
I think, like great green chandeliers.
Now and then I close the door
to room 307 and, for a minute,
shed onion-fat tears. Or else I manage
not to cry upon discovering the eggs laid deep
in my abdomen belong
to grief. Sometimes, I’m glued
in place by the shimmer of a dragonfly flattened
to a driveway on my route to work. I walk,
sometimes. Or take the bus, where my students
are sometimes the other passengers. Sometimes ninth graders
will really look at you, look at your legs
crossed, your inked left ankle
suspended in plain view, and say Ms. Chris,
what do pears mean to you?
I used to hate them. Then I tried
a yellow Bartlett on a rotten day, and found it delicious.
Nain Christopherson
Irises
I already said I love
my job—but ninth graders
will really look at you, just plain
leaving the building, like you should’ve vaporized
passing through the weapons detector, and again
crossing the threshold of those double doors. They’ll look
at you shopping for groceries with your headphones in
like you’re a subspecies they’ve never seen before—
and you looked them in both eyes
this morning; said their name, and asked them
how they were. Look at you
weaving through crowds or heating your leftovers
for lunch in the classroom microwave like you’ve sprung
into 3D for the first time. Imagine
if they knew I have always existed.
Some days I want to make them
look: how eternity roils
under the horizons of skin grown up against
my fingernails—along the seams
in my eyelids, behind my ears.
Some days I could scream: I am
abundant! I’ve spilled
emerald and indigo out
of the deepest vases! I’ve been an armful
of the longest leaves! Sometimes
I whisper hit me just before I break
into sunlight from beneath
the undersides of trees, which drip,
I think, like great green chandeliers.
Now and then I close the door
to room 307 and, for a minute,
shed onion-fat tears. Or else I manage
not to cry upon discovering the eggs laid deep
in my abdomen belong
to grief. Sometimes, I’m glued
in place by the shimmer of a dragonfly flattened
to a driveway on my route to work. I walk,
sometimes. Or take the bus, where my students
are sometimes the other passengers. Sometimes ninth graders
will really look at you, look at your legs
crossed, your inked left ankle
suspended in plain view, and say Ms. Chris,
what do pears mean to you?
I used to hate them. Then I tried
a yellow Bartlett on a rotten day, and found it delicious.
Nain Christopherson
Nain Christopherson (she/her) lives, writes, and teaches high school language arts and creative writing in Salt Lake City. Her poems have been featured or are forthcoming in The Shore, Scribendi, and The Exponent II.